《認(rèn)識(shí)的哥哥》劇情簡(jiǎn)介
《認(rèn)識(shí)的哥哥》相關(guān)評(píng)論
不是美女
惡搞的路數(shù)和美國(guó)真不一樣。美國(guó)好的惡搞大多對(duì)人不對(duì)事，罵政府絕對(duì)政治正確，但不能罵好萊塢。好萊塢拍了那么多超級(jí)英雄，自己惡搞可以，獨(dú)立電影惡搞就只能拍成人電影了。法國(guó)人才懶得管這些呢，好萊塢又不給他們發(fā)工資，管你漫威還是DC，誰流量高就惡搞誰。這是有傳統(tǒng)的，鼻祖叫塞萬提斯。。。
ン馬 工凡
Filters were used to distort the images of Warsaw, creating a raw, unattractive image. Kieslowski credits his cinematographer, Slawomir Idziak for this deliberate visual unattractiveness within the film stating, “I sense that the world is becoming more and uglier, I wanted to dirty this world”.