《千秋令》劇情簡(jiǎn)介
同類(lèi)國(guó)產(chǎn)劇
《千秋令》相關(guān)評(píng)論

琴扎
「Not every relationship is meant for marriage.」「My teacher, Katherine Watson, lived by her own definition, and would not compromise that. Not even for Wellesley. I dedicate this, my last editorial, to an extraordinary woman who lived by example and compelled us all to see the world through new eyes. By the time you read this, she'll be sailing to Europe, where I know she'll find new walls to break down and new ideas to replace them with. I've heard her called a quitter for leaving, an aimless wanderer. But not all who wander are aimless. Especially not those who seek truth beyond tradition; beyond definition; beyond the image. We'll never forget you.」

無(wú)人之島
撤退時(shí)復(fù)雜的政治斗爭(zhēng)壓根兒沒(méi)有,只有非歷史的個(gè)人英雄,英雄還很假,法國(guó)是晚上英國(guó)是白天,海峽那么短飛了一天,飛行員開(kāi)掛了,最后的滑翔太假了,還不跳傘,等著被抓,愛(ài)國(guó)主義強(qiáng)行升華,還有愛(ài)爾蘭人,英帝還有野心,別忘了愛(ài)爾蘭根本沒(méi)有對(duì)德宣戰(zhàn),抗日神劇的水平,不能因?yàn)槭前灼号牡木秃迷u(píng)。

愚人剪網(wǎng)
五星魔人又來(lái)了。非常喜歡爸媽兩位的面孔與表演,其他角色厚度也夠,但電影的剪裁不當(dāng)幾場(chǎng)戲也太脫離現(xiàn)實(shí),還有充滿(mǎn)臺(tái)灣電影常見(jiàn)各種語(yǔ)言銜接人物背景的問(wèn)題,即使向來(lái)喜歡巫建和,只要有說(shuō)話(huà)就破功,與菜頭的人物關(guān)係太含糊,有種編劇也不知道那些人在幹嘛的感覺(jué)。沒(méi)人處理劇本的硬傷也很怪,你所謂的太陽(yáng)公平根本就是物理學(xué)上的大誤,當(dāng)然也詩(shī)意不起來(lái)。另外醫(yī)院那段說(shuō)小玉沒(méi)看到阿和也是錯(cuò)的。腳踏車(chē)可以全刪。喜歡林生祥的音樂(lè),幾個(gè)美好的攝影畫(huà)面也加分。以上報(bào)告,我在等上課所以打了這麼多字。