《那家伙是黑炎龍》劇情簡(jiǎn)介
《那家伙是黑炎龍》相關(guān)評(píng)論

注銷ing
簡(jiǎn)直就是豬豬女孩特供片嘛。組隊(duì)過(guò)程太慢,盜竊過(guò)程太簡(jiǎn)單,細(xì)節(jié)經(jīng)不起推敲,費(fèi)盡心機(jī)的作案就是為了報(bào)復(fù)渣男也太不女權(quán)了。當(dāng)做輕輕松松看女神們惡搞就好。

照夜白
吳君如的瘋癲喜劇,是對(duì)90年代港產(chǎn)喜劇的借鑒和某種內(nèi)地化移植,順帶將恐怖片的元素也融合了進(jìn)來(lái)。戲劇沖突主要集中在“拆遷”上,而鬼和喪尸當(dāng)然是不能夠被允許的。笑料包袱其實(shí)很一般,也就沈騰出來(lái)那段有點(diǎn)意思。強(qiáng)行將港產(chǎn)古惑仔元素加進(jìn)來(lái)顯得不倫不類,難為了吳鎮(zhèn)宇和方中信完全沒(méi)有存在感。

歲歲平安
Best black romantic comedy of all time? Hal Ashby tries for something so far-fetched, so absurd and subversive that it will only resonate with a few. Its ambition and aesthetics are reminiscent of Dadaism, while its dandy characters feel like the eccentric successors of Des Esseintes from “A Rebours” by Huysmans (1884). Dark, dead-pan humor along an artistic style & intellectual tone shape its mood - death and simulated suicide constantly hanging over. It never fades into nihilism though. Instead, Harold & Maude can be construed as an inspired parable conveying a simple but authentic philosophy of life, an ode to unbounded love and life freed from social norms & disciplinary institutions.